Behringer's RX1202FX 12-channel mixer is not only rack mountable, but comes loaded with a 24-bit multi-FX processor and 8 built-in studio-grade IMP “invisible” mic preamps. This mixer works perfectly for small bands or churches, business conferences with both microphone and A/V equipment as well as sub-mixing keyboards, drums, samplers or multiple vocal mics. It’s also the ideal choice for monitoring multi-track recording projects.

The RX1202FX is ready to accommodate. Each mono channel (1-8) features an XLR input, a balanced 1/4" mono input and an INSERT jack for patching external signal processors directly into the channel. Mono channels feature a TRIM control and CLIP LED to adjust the input gain; a two-band EQ (HIGH, MID and LOW controls); FX control to determine how much of an effect to apply to the channel; a PAN control; and a smooth 60mm fader to determine the channel’s level in the mix. Stereo channels (9-12) feature left and right balanced line level 1/4" inputs and the same front panel control as their mono counterparts. And, as mentioned above, they can be used as mono inputs themselves.

Smooth 60 mm faders and intuitive rotary dials make it quick and simple to create a killer mix. The MAIN MIX fader adjusts the volume of the main output signal while the dual 4-segment LED ladder display gives a visual representation of the signal level. The PHONES jack features a dedicated PHONES/ CONTROL ROOM dial for adjusting headphone volume. Push CD/TAPE TO MIX to add backing tracks from an MP3 or CD player, or to isolate a click track or scratch track in headphones while recording.

On the back panel, the LEFT and RIGHT MAIN OUT XLR jacks can be used to feed a recording device or PA system. For live performances, keep pre-recorded music cued up for between-set breaks by connecting a CD player or MP3 player via the stereo CD/TAPE IN jacks. If the band wants a recording of their performance, send signal to a recording device such as a mini-disc recorder via the CD/TAPE OUT jacks. Use the MON AUX SEND to send signal to floor monitors in a live setting, or to a headphone amp in a recording setting. When it’s time for playback of recorded material, send signal to studio monitors through the CTRL OUT jack.

If a recording session or live performance calls for an effect not programmed in the onboard FX processor, send signal to an outboard effects unit via the FX AUX SEND, then feed the signal back to the RX1202FX through the AUX RETURN jacks.

The FX/CTRL section puts sophisticated digital effects at your fingertips. Use the PROGRAM dial to scroll through the effect presets, then use the FX TO MAIN dial to govern how much of the effect is heard in the summed signal of the mixer. Push FX SOLO to hear only the effects signal in your monitors or headphones.

It’s nearly impossible to find a rack-mountable mixer loaded with the inputs, mic preamps and digital effects found in the RX1202FX. And with a price tag that’s well below what you would pay to purchase all these tools separately, the RX1202FX is the smartest way to make your studio, live band, church or conference sound like a million bucks.

Features:
Premium ultra-low noise, high headroom analog 3U rackmount mixer
8 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
Neo-classic "British" 2-band EQs for warm and musical sound
Studio-grade FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
Switchable +48 V phantom power for condenser microphones
4 additional balanced high-headroom line inputs
CD/Tape inputs assignable to Main mix or Control Room/Phones outputs
2 Aux sends per channel: 1 pre fader for monitoring applications, 1 post fader for internal FX or as external send
Separate Control Room, Phones and stereo CD/tape outputs
Balanced Main mix outputs with gold-plated XLR connectors
Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

Specifications:

MONO INPUTS
MIC (IMP Invisible Mic Preamp)
Type: XLR, electr. balanced
Mic E.I.N. (20 Hz – 20 kHz):
@ 0 Ohm source resistance:-132 dB / -134 dB A-weighted
@ 50 Ohms source resistance: -130dB / -132 dB A-weighted
@ 150 Ohms source resistance: -128 dB / -130 dB A-weighted
Frequency response: <10 Hz – 200 kHz
Gain range: +10 to +60 dB
Max. input level: +12 dBu @ +10 dB gain
Impedance: approx. 2.6 kO balanced
Signal-to-noise ratio: -110 dB / -112 dB A-weighted
Distortion (THD+N): 0.003%, A-weighted

LINE IN
Type: 1/4" TRS connector, electronically balanced
Impedance:
approx. 20 kOhms balanced
approx. 10 kOhms unbalanced
Gain range: -10 dB to +40 dB
Max. input level: +22 dBu @ 0 dB gain

STEREO INPUTS
Type: 1/4" TRS connector, electronically balanced
Impedance:
approx. 20 kOhm balanced
approx. 10 kOhm unbalanced
Max. input level: +22 dBu

INSERT
Type: 1/4" TRS connector (Tip=Send, Ring=Return)

CD/TAPE IN
Type: RCA connectors, unbalanced
Impedance: approx. 20 kOhms
Max. input level: +22 dBu

AUX RETURN
Type: 1/4" TRS connector, balanced
Impedance:
approx. 20 kOhms balanced
approx. 10 kOhms unbalanced
Max. input level: +22 dBu

OUTPUTS
Aux Sends (FX):
Type: 1/4" TRS connector, impedanc ebalanced
Impedance:
approx. 240 Ohms balanced
approx. 120 Ohms unbalanced
Max. output level: +22 dBu
Aux Sends (MON):
Type: 1/4" TRS connector, impedance balanced
Impedance:
approx. 240 Ohms balanced
approx. 120 Ohms unbalanced
Max. output level: +22 dBu
MAIN OUT
Type: XLR connectors, balanced
Impedance:
approx. 240 Ohms balanced
approx. 120 Ohms unbalanced
Max. output level:
+28 dBu balanced
+22 dBu unbalanced

CTRL OUT
Type: 1/4" TRS connector, impedance balanced
Impedance:
approx. 240 Ohms balanced
approx. 120 Ohms unbalanced
Max. output level: +22 dBu

CD/TAPE OUT
Type: RCA connectors, unbalanced
Impedance: approx. 1 kOhms
Max. output level: +22 dBu

PHONES
Type: 1/4" TRS connector
Max. output level: +19 dBu / 150 Ohms (316 mW)

EQ
Low: 100 Hz / ±15 dB
High: 12 kHz/ ±15 dB

MAIN MIX SYSTEM DATA
Noise:
Main mix @ -8,Channel fader -8: -98 dB / -101 dBA-weighted
Main mix @ 0 dB,Channel fader -8: -85 dB / -88 dBA-weighted
Main mix @ 0 dB, Channel fader @ 0 dB: -77 dB / -80 dB A-weighted:
Fade Attenuation (Crosstalk Attenuation):
Main fader closed: 90 dB
Channel fader closed: 90 dB
Frequency Response (Microphone Input to Main Out):
<20 Hz – 105 kHz: +1 dB / -1 dB
<10 Hz – 170 kHz: +3 dB / -3 dB

EFFECTS SECTION
Converter: 24-bit Sigma-Delta
Frequency rate: 40 kHz
Presets: 100

POWER SUPPLY
Power consumption: 18 W
Voltage: 100 – 240 V~, 50/60 Hz
Fuse: 100 – 240 V~: T 1.6 A H 250 V
Mains connection: IEC (power) cable

DIMENSIONS/WEIGHT
Dimensions (H x W x D): 5 1/5" x 19" x 59/10" (133 x 482 x 150 mm)
Weight (net): approx. 6.4 lbs (2.9 kg)

Behringer RX1202FX (Behringer Eurorack pro RX1202FX)